Contrast creates drama. Happy next to sad, noise next to silence, beauty next to ugliness — these pairings make each side stronger. Examiners look for writers who can control tone and create deliberate shifts.
“The park, so full of laughter that morning, was now eerily empty.”
-- Time contrast“Outside, the storm raged. Inside, the candle flickered quietly on the table.”
-- Location contrast“He smiled, but his eyes told a different story.”
-- Character contrastContrast works especially well at the beginning and end of stories. Start with calm, end with chaos — or start with fear, end with peace. The shift gives your story an emotional arc.
Try these exercises to practise using contrast and juxtaposition in your own writing. Click "Show Suggestions" to see example answers.
1
Write two sentences that contrast a busy street and a quiet alley.
The high street buzzed with noise and colour, shoppers weaving between market stalls and street performers. But ten steps down the alley, the world went quiet, as though someone had pressed mute.
2
Write a contrast between a character's outward appearance and inner feelings.
"I'm fine," she said, smiling brightly. Underneath the smile, her stomach was a tight, anxious knot.
Instead of telling the reader what a character feels ("She was scared"), showing it through physical actions, sensations, and behaviour ("Her hands trembled and her breath came in short, sharp gasps").
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Using a combination of setting description, word choice, sentence length, and literary devices to create a specific mood or feeling in a scene.
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Controlling the speed of your narrative — slowing down at key moments for drama, speeding up when action is happening fast.
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